Reflets

What if the street became the silent stage for marked bodies, a mirror of our intimate fractures? In this series, the body and the city intertwine, overlap, question one another. Two presences, two temporalities, two visual languages engaging in a dialogue to attempt to express the unspeakable. The street, an anonymous territory, becomes a space for expression — a neutral, almost blank space — where anything can surface: a scar, a memory, a gesture of resistance. It absorbs our fragments, welcomes our flaws, our invisible battles. At times it is a refuge, at others, a threat. We encounter peeling walls, shattered glass, cast shadows. Trees grow slowly there, buildings rise, lines break — everything speaks of growth, tension, struggle, and rebirth. The body, in turn, becomes sensitive matter, a surface for projection. It carries silent memories, intimate stories, and seeks to anchor itself, to engage with this external landscape that at times frightens it, at times elevates it. Double exposure here is not an effect. It is an attempt. An attempt to bring the inside and the outside into coexistence. To show that our pain is not isolated, but resonates within our environments, settling into stones, windows, roads. It is a project of bodies, streets, and reconciliation.